These are the somewhat non-fictional tales of an over-ripe paralegal who lives with her husband (ToolMan) and their dog (Andy Rooney), in which she goes on about her knitting, her work, her knitting, her life, her knitting, her friends, her knitting, her hedgehog collection, her knitting, her spinning, and her knitting. And has an occasional hissy fit.
Monday, June 7, 2010
Blankets, Babies, and Buttons
Sunday, May 23, 2010
Little of this and a little of that
Today, I did no knitting. That's right, none. My shoulder can only tolerate knitting for short periods of time each day. Today, I decided to forgo knitting to see how well, or not, I could tolerate spinning. Here's the result:
This is a sample from Abstract Fiber. The sample didn't have any info on the tag, I don't know what the fiber is but I suspect by the way it drafted and spun that it's BFL. By looking at the website, I think the colorway is "Deep Lake"; lovely blues, greens, and turquoises.
Look how tiny they are! The tiny one on the right isn't marked but it seems to be made of the same material as one that ToolMan bought for me several years ago; horn or antler.
They're both much heavier than you think they'd be, given their small size. And both have incredible detail; especially the little one from Noriko, which even has eyelids!
But as little as this guy is, he's not the tiniest hedgie in my collection.
How in the world did they turn these out of wood on a lathe? And I whoever painted the face on the smallest one must have incredible eyesight or a really good magnifying glass! The middle one is about the same height as the dime and the smallest one is about the size of a dried pea. Absolutely adorable!
Lastly, I got the baby sweaters delivered to my girlfriend, Maryanne, this week. I'm working on a little blankie for the stroller or carseat and hope to have it done before she goes to see her sons in mid-June.
A Moderne Baby Blanket from Mason Dixon Knitting. Except I didn't follow the pattern, because come on, what's the fun in that? This turned out to be quite a stash buster of baby pompadour. I used up all the leftovers from baby knitting over the last few years. This pink is the last strip, I think. It could be a little bigger, but frankly I'm just about sick of garter stitch; I mean, really, there are MILES of garter in this thing and it's only about 36 inches square. Besides, I'm going to do a white, 4-stitch I-cord edge on it which I'm estimating will take approximately FOREVER to finish. And as much fun as this was to knit, I really want to get it done; because I really, really need something more challenging on the needles next.
Monday, May 10, 2010
Chugging Along
I'm working on another set of the !@ #*% Golf Club Covers for niece Jane, in eggplant and cream. I've four of them done, except for embroidering the symbols which I'll probably do at Westside Wednesday. And I'm waiting to hear whether she wants pompoms on them or connecting them with an I-cord.
I did a little cooking this weekend, too. Doesn't that just look yummy?
It's the peels of 20 avocados, six pennies, lots of water, a glug or two (that's a highly technical term) of vinegar, and some sea salt. No; it's not for eating; it's for dying wool, silly! I found a couple of forums on Ravelry devoted to natural dyeing. I don't think I'd ever go into dyeing as much as knitting or spinning, but we do eat a LOT of avocados and when I saw that they produce a warm pink/peach dye, it seemed a shame to keep throwing them out.
I had to wait for the pits to thaw before I could chop them up for adding to the pot. You think those things are hard when they're fresh? Frozen, they're like giant marbles; and just as hard to hang onto. A kitchen accident waiting to happen if ever there was one!
I wish I could describe how this smells; I think it smells like a woodpile in the late fall, right after it rains but the weather hasn't really turned cold yet. OK, maybe you had to have grown up in the country to know that smell. Anyway, it's earthy and woodsy but not really heavy or offensive. Although ToolMan claimed it stunk so badly that he could smell it downstairs in the garage when it was simmering, so he made me put it out on the deck when I wasn't simmering it.
I picked up some cream of tartar and alum to mordant the yarn, which I'll have to do in my big water bath canner. I pulled out a few skeins of reclaimed yarn from my stash; a couple of off white lambswool and a skein of wool/nylon blend which is a khaki/off white marl.
I'm toying with the idea of doing an after bath of ammonia on one of the off white skeins to see how, or if, it changes the color. Stay tuned for the second act next weekend!
Sunday, April 11, 2010
Actual Knitting Content
First up - my "commuting, take to work and knit night because I don't have to think about it" project: a Baktus scarf. I don't know what this yarn is; it's from the bottom of the stash and didn't have a label. I did a swatch, threw it in with the laundry a couple weeks ago and it came out just fine so it's something machine washable and dryable; a burn test proved it to be synthetic, so I'm guessing some acrylic/nylon/polyester blend but it's very soft. It's fairly splitty so I'm using blunt US 10s in plain garter stitch. I like the faded denim-y look of this but I really don't need another blue scarf so it'll probably go in the gift box. It's always good to be ahead of the curve on Christmas presents.
And on to the "stay at home, pay attention to this" project: The carrot I was dangling in front of myself to finish the secret knitting, the reward for good behavior, the mate to the long suffering One Red Sock.
Sunday, March 29, 2009
A good friend is like a quilt wrapped around your heart.
It was very fortunate that I ran across an ad for a quilt show put on by Northwest Quilters Guild at Multnomah University; it was the perfect opportunity for us to get together! She picked me up bright and early Saturday morning, and after an obligatory stop at Starbucks for coffee, we hit the road.
After winding our way across town and paying our entry fees, this masterpiece was the first thing you laid eyes on. This entire quilt is made up of tiny square that are reverse appliqued.
Not regular applique, mind you, but reverse applique! Now, in regular applique, the blue design is cut out and applied to the top of the background fabric. This is reversed, so the blue fabric is behind the background, and then the background is cut away to reveal the blue. Click to make it bigger and see for yourself.
Then the squares were put together to make the top, the border applied using the same reverse applique technique, and then it was quilted together with the batting and the backing. The real killer here is that this was all done by one person by hand. As in no sewing machine. No wonder it was front and center, showing off its blue ribbon!
And in case blue wasn't your color, there was a similar one in red!
Not all the quilts were traditional; some were very modern. This one is a technique, which Maryanne informs me, is bargello. Maryanne says the fabric is cut into strip and sewn into panels, which are then cut crosswise into varying widths and shifted up and down to make these patterns that appear three-dimensional.
This one stopped Maryanne dead in her tracks. She loves deep, rich, jewel-tone colors; I think it was the deep blue and purple that reached out and grabbed her.
Some of the quilts looked like they started out all traditional and well-behaved, then took a left turn and went all contemporary at the last minute. Like this one.
There were also some antique quilts being shown. Like this Hawaiian one from 1932. The two-color Hawaiian quilts always remind me of papercutting designs common in so many parts of the world.
Looking at this one up close, the close pattern of quilting reminded me of a labyrinth. Can you just imagine how long it took to quilt this by hand?
Some quilts looks more like paintings. This one was made up of thin strips pieced together horizontally.
This one looked very Asian at first glance.
But none of the fabrics were an Asian print. There were musical notes, starfish, polka dots, batiks, stripes, even cow print! But no Asian prints!
This one was a ribbon winner, too. The information label on this one said she had designed this quilt in honor of her 40th wedding anniversary. All the squares, except for two, were traditional patterns which held special meaning for her and her husband. The other two had silhouettes of their children and the date of their marriage. Oh, and the label also said she finished it just in time for their 50th anniversary!
And there were other quilts made to honor someone. Like this little one for Frank Lloyd Wright. I'm thinking this one could be done in knitting; stockinette blocks bordered with black and joined as they're worked. Maybe a project for next winter. . . .
And this one was labeled "Happy Birthday, Charlie" in honor of Charles Darwin. You can't see it very well in the photo, but there are things hidden in the quilting: snails, tadpoles, ferns, peoples faces, etc.
The one that took my breath away was this one. Maryanne asked what it was that I found so stunning, and I'm not sure I can describe it. It's the rich, saturated colors; the random/not random piecing; the curves that cut through, yet join all the blocks; the way it has a border on two sides and not the others. It's the balance and total of it all. It reminds me of Marc Chagall, Pablo Picasso, and Gee's Bend.
It almost makes me want to start quilting. Almost.